Storyboarding, Not Just for Filmmakers

The following is part of a running series of posts, from Create Your Own Great Photo Book; the first "Be a Ruthless Photo Editor" covers activities you can use to take control of your image library.

Storyboarding, Not Just for Filmmakers

How do you organize your images? Stay true to your theme.

Developing a structure based on your time is the foundation to create your own great photo book. And, keep you focused. It can be overwhelming when you're confronted with a volume of images. Refer to my previous post, Be A Ruthless Photo Editor, to eliminate the unnecessary, poor quality and non-relevant images.

A screen shot of one folder.

Example: My Family Archive. On a rainy Sunday afternoon, I decided to make a dent in scanning the negatives and photographs––which I have two or three large Rubbermaid storage tubs––from my family's photo archive. I pulled out an armful of 'stuff' and began sorting the pieces. Tossing items that had little relevance to the long-term integrity of the archive, poor quality and extremely damaged. Things like out-of-focus shots, unrecognizable subjects, generic birthday & holiday cards, etc. The result, spending time on quality pieces that would convey the story of my family.

Stay Grounded to Your Theme

As mentioned above, developing a structure will serve as your foundation. Using images and text creates your visual story. Most stories are typical: a beginning, middle and end. Let's take this further.

Tapping into a more sophisticated organization can add more interest to your photo book. Try one or a combination of the following:

4 types of story organization to add interest to your photo book.

Storyboarding your content gives you a 'roadmap' to a finish product. Naturally, we want to be flexible as the project progress. Image sequencing and storyboarding is time well spent!

After you've experimented with your visual storyboarding with your first photo book, it will become easier the next time. Eventually, challenging your creativity to try new concepts.

Interested in more? Download "Create Your Own Great Photo Book."

Next: Add cognitive flow within your theme.


Happy self publishing.

Self Publish a "Look Book" for a Competitive Edge

Presenting samples of your work is an important and making your portfolio stand-out can give you an edge in today's highly competitive (freelance) marketplace.

After viewing a short video about how a NYC photographer still uses traditional prints and cut sheets in the presentation cases or boxes because he had tremendous success getting a face-to-face meeting. Plus, the large format glossy prints SHINE. 

This got me thinking... could I take the best of a traditional portfolio and update using today's technology to produce a book (or magazine) that can be given to a client? 

YES, most certainly.

Ideal for architects & related, designers, photographers, illustrator and more. Self publish a book or magazine, customize content and self publish in hardcopy and digital formats. 

Tell Your Story

Have a vision of the end product? Good. Let's step back to begin with the big picture. Storyboard your book, focusing the message you want your client or prospective client to remember. Build to a crescendo–but leave them wanting more. 

Think About Format

A magazine format is excellent for case studies. Complete with descriptive copy to dig deeper into your approach to the project. Where were the core directive of the creative brief? Unexpected challenges and outcomes? The magazine could be produced on a quarterly or semi-annual basis and made available digitally (ideal for tablet!) and print-on-demand for small quantities.

A traditional coffee table-style book would the option when larger format images need to be used. Wouldn't this make a great gift to a VIP client? Or, a new product to add to your shop. 

Let's work together to resurrect the Look Book for an awe-inspiring impression. 

What kind of book (or magazine) do you want to publish?

Give New Life to Your Archives :: Self Publishing

Deep in the back of big walk-in bedroom closet are three (maybe four) large Rubbermaid storage tubs filled with my family's photo archive; dating back over 100 years. Old sepia-toned and yellowing prints, envelopes of negatives, newspaper clippings, letters, and more. After my parents passed, my siblings concurred that I would be the best steward of this precious archive by nature of my profession and also married to photographer.

Organizing the "stuff" can be a challenge. What do I keep? What can be tossed? How do I scan it? How should I organize it, chronologically?

Since my niece has been doing a bang-up job working on the genealogy including images on our Ancestry account aids her research. (Recently, a distant relative on my mother's side reach out to me and after sharing a picture of my grandfather we discovered that his grandfather was my great uncle.)

Successful Self Publishing: Family Archives

Here at Creative Aces, we have the resources to work with your photo archive to produce a book or series of magazines that could be a treasure – something that will be coveted by family and friends.

These also make excellent gifts!

Collaborate. Create. Publish.

Stock Images: A Double Edge Sword

Last week I received the following pieces of mail: a über large postcard for hearing devices and the neighborhood coupon booklet. Each of these arrived the same day. 


Take a look at the handsome couple. The same two people! My neighbors in the elevator must have thought I was nuts listening to me laugh. 

What are the chances that a designer would select the SAME couple for their layout and those unrelated pieces of direct mail would land in my mailbox on the SAME day?

I use stock photos and illustrations for my clients, I do prefer custom photography but most of the time the budget just doesn't allow me to hire a professional photographer or illustrator.  I dig deep into a search, using key words appropriate for the project/message and attempt to avoid the most popular or downloaded images.

How do you handle your image searches to avoid this situation?

Brainstorm With A Teenager For New Insights

My apartment is filled with images captured by husband, Dominic R. Sondy. A lifetime of creativity on film, slides, transparencies, 4x5s, prints and digital files; all stored in archival quality sleeves, bins, DVDs and USB devices.  And he continues to create more everyday.

We began curating collections and publishing books, beginning with “Saigon Shuffle” his Vietnam experience covering his assignment at the front and then as a military correspondent covering Asia.

Since then, I’ve always tried to look for opportunities to extend the products available for each collection.

For The Trees #19 Poster

One of his most recent, “Can’t See The Forest For The Trees” is pure imagery. An esoteric look at the oddities on trees in Chicago’s Lincoln Park. Think inkblot meets horticulture. Naturally, individual prints are available, over 100!. But I was looking for opportunities to extend the product line not only for “Can’t See The Forest For The Trees” (“FTT”) but also for other collections.
 
Publication of the FTT book took several iterations to get the quality just right. Working with image rich content requires higher standards than just “ink on paper”. Everything from size of book, image wrap vs soft/hard cover, paper selection and print quality were examined carefully.  

While reviewing one of the early editions, my youngest daughter started flipping through the pages and free-styling ideas for products.

 Posters! iPhone/iPad cases! Calendars! Oh, my!

For The Treest #093

Productions of calendars was already on my list, but I hadn’t thought about posters and skins for devices. I started to listen intently to my fourteen year old who was selecting images for these products. “Mom, this one would be great for a poster. I’d put this up on my wall.”  “Imagine this one on my iPhone staring at you.”  
I went to work creating the products and building the landing page for the “Can’t See The Forest Through The Trees” product offering.

We were doing the victory dance last night when I blurted out to my daughter that we sold one of the posters!  

My New ‘Youth-Oriented’ Focus Group
Sometimes I get so stuck in my own, old, conventional methods that I fail to realize that my audience may be much different.  It took the off-the-cuff suggestions of a daughter reviewing her father’s work to add new thinking to marketing and product creation. In addition to the product suggestions, she went further, hinting at a pricing structure for each product and poster size. In other words, what she would be willing to pay to hang a poster in her room.

Since my daughters are part of Dominic’s and my social streams and their friends tap into their streams, that presents an opportunity to connect with new markets that I hadn’t seriously considered. I’ll be looking forward to another serendipitous focus group session with my (smart and insightful) teenage daughter.